Camberwell Summer Shows: July 11th – 17th
MA Visual Arts: Book Arts • Designer Maker • Fine Art Digital • Illustration • Printmaking
Saturday: 11am–4.30pm (last entry 4pm)
Monday to Wednesday: 10am–8pm
Camberwell College of Arts, 45–65 Peckham Road, London, SE5 8UF
arts.ac.uk/camberwell email@example.com #ualsummershows @camberwellual
In February my Artist’s Book: ‘Sequence’ was acquired at the 22nd Annual International Contemporary Artists Book Fair held at the Tetley in Leeds and is part of the PAGES New Voices collection of Artists’ Books, which has started a short tour of three Yorkshire venues at the Rotherham Open Arts Renaissance (Below).
PAGES is coordinated by artists and researchers John McDowall and Chris Taylor. Founded in 1998 and operating around the hub of an annual Artists’ Book Fair, the initiative has provided numerous and wide-ranging opportunities for the development and awareness of the book as primary medium in art practice. Manifestations such as exhibitions, workshops, open calls and curated projects have facilitated experimentation, dissemination and engagement for audience and makers. In 2019 in association with the Fair’s host venue, TheTetley, and with the support of Arts Council England, PAGES has under taken a series of major new projects.
Tetley Collection of Book Artists
Talk on Wednesday 13 March at 6.30.
The books will be on display until Thursday 21 March.
Doncaster Art Gallery & Museum:
Talk on Saturday March 23 at 11.00.
The books will be on display until Friday 29 March.
The Cooper Gallery, Barnsley:
Talk on Saturday 30 March at 11.00.
The books will be on display until Saturday 6 April
I have been invited to take part in The Mexican Embassy’s Camaradas MX-UK / Comrades UK-MX 2019 Exhibition due to take place at the Menier Gallery, London, March 12th-16th. I will produce a concrete poetry Diptych featuring a poem I wrote entitled: Holiness of the Heart which was inspired by John Keats quote:
‘I am certain of nothing but of the holiness of the hearts affections and the truth of imagination’.
The purpose of the poem is to remind people of one’s spiritual wellbeing through the medium of language, which is pivotal in the areas of human rights protection, good governance, peace building, reconciliation, and sustainable development. The wing-shaped diptych is inspired by another of my favourite quotes by Luciano De Crescenzo:
“We are each of us angels with only one wing, and we can only fly by embracing one another”.
It will be accompanied by a limited edition Artists Book / Zine featuring the poems translations into French, Spanish and Italian.
From Sunday 12th August 2018 I shall be featured in a month-long solo exhibition of photographic prints all of which were taken within a period of a year on my walks around London. It will be held in the upstairs gallery of The Hanbury Hall in Spitalfields, London.
The Hanbury Hall has a fascinating history that dates back to 1719. Originally built as a small Hugenot chapel, it has accommodated many different East London congregations over the years eventually becoming part of Christ Church in 1887. Charles Dickens was a regular visitor in the 1800s using the building for public readings of his works and in 1888 the Match Girls held their strike meetings here as they prepared to protest against working conditions at the nearby Bryant and May factory.
Hanbury Hall, 22 Hanbury St, London E1 6QR
Mon – Fri: 8am – 5pm
Weekends: 11am – 6pm.
Tel: 020 7377 6793
They also have a nice coffee shop and free WiFi.
Looking At Looking / Sequence Reframed
This piece is about analogue photography, memory and identity, neuro-diversity, intergenerational change, sequence, reframing the past into the present and the art of looking, as in looking at the processes of looking which in turn reframes the past. The way this particular piece is presented invites the viewer to pick up the book and hold it in their hands while leafing through its pages. The act of handling the book activates the piece. As the viewer looks down upon the book they can see their own hands echoing a similar handling of the book as demonstrated in the photograph below. The hand in the shot belongs to the same women in the photograph. The age difference symbolises the passage of time. What I hope to encourage is a dialogue on the importance of ones memories for a sense of self-identity. How does memory-loss impact ones sense of self-identity? And how can one reframe ones memories so that they may better serve oneself in the present moment?
12th – 18th July 2018: UAL: MA degree shows.
Artists: Cat Miller, Helen Ji Hyoung Gong, Lawrence Blackman, Marton Nemes
Curators: Ileana Tu, Jie Qiu
Opening times: 23th-24th May, 2018 10am- 8:30pm
Private View: Wednesday, 23th May 6pm- 9pm
Place: Chelsea College of Art SW1P 4JU
“I can’t understand why people are frightened of new ideas, I am frightened of the old ones.” —— John Cage
Exhibition online: http://abnormal-exhibition.com/
Altered States – book art – by Cat Miller
I am currently featured in The Xhibit 2018 Show – Championing Future Creatives – running from April 19th to May 12th @ The Bermondsey Project Space London SE1.
ALTERED STATES :: The ‘Altered Book’ piece was about challenging the traditional concepts of ‘what the book represents in our culture today’ in the changing times of electronic devices that simulate the book right down to the colour and texture of the paper. Traditionally the book has been a revered and trusted object upheld throughout history and culture, where entire religious philosophies and political ethics are delivered as fact, presenting complex methodologies to be adhered to and codes of conduct for living ones life. Significant sized buildings of stature and status are still dedicated to their housing for archival, lending, and research purposes. This piece entitled ‘Altered States’ was made from a large ex-government hard back book that has been repurposed with a series of sequential cuts and reverse folds, which all together formed sculptural indented shapes where pages were compressed together. The pages were not destroyed in any way and so therefore could be unfolded to become a normal book again, representational of the division between the two worlds that we live in; the world of imagination and the world of outer reality. The shapes represent the personal inner emotional spaces that are created when the imagination is activated which can transport one to an alternate parallel reality.
Click HERE to see my PHOTOS from the PRIVATE VIEW.
More images taken by Zaigham Butt: https://www.flickr.com/photos/suarts/albums/72157690051800540
Images taken by Paola Gabrielli (Bermondsey Project Space): https://www.flickr.com/photos/suarts/albums/72157668436441548
Roisin Sullivan, BA Fine Art (4D), Diploma of Professional Studies CSM will be performing her performance titled ‘My Autism’ at 4pm on the following dates:
- Wednesday 9th May
- Saturday 12th May
The performance which takes place in the gallery window consists of the artist sitting in a bath of Coca Cola for 30 minutes interwoven with a spoken word piece which reflects on their life from 1 to the present day.
In the words of Roisin ‘The work itself explores my oppression as a women with autism. The absurdity of this act is a demonstration of the constraints within society, and within my experience of existing. There’s a disposition between determinism and free will composed in the structure of capitalism, patriarchy and western society which impacts myself, and is relevant throughout history. The systematic oppression of my autism and gender is represented by submerging my body in the Coca Cola, something which I have addiction to – this act calls into question whether this characteristic forms part of my Asperger’s or is a result of further political hierarchies’.